Last weekend for my birthday, E took me to the Boston Symphony Orchestra's performance of The Dream of Gerontius by Edward Elgar. Elgar, best known to me by his cello concerto and , composed the oratorio in 1900 to the poetic text of a Catholic cardinal. I was so clueless about the piece before going I thought it was titled something about Geronimo... Why a Brit would write about Geronimo was not something I even paused to think about, so you can see how much thought and research I put into the evening before the lights went down.
The piece requires an enormous orchestra, organ, full chorus and three soloists -- a huge ensemble as you can see from the picture taken at a 1964 rehearsal. E and I were very quickly entranced: the orchestration is lush and Wagnerian, and Ben Heppner was a revelation as a true Helden tenor. I especially enjoyed Gerald Finley as the baritone. By the end of the piece, I was convinced it was perhaps one of the most purely beautiful works I have ever heard. Truly what I imagine choirs of angels sound like. And a highlight was the incredible moment when Gerontius sees God - "for one moment" -- and in that moment all the instruments must "exert their fullest force". Wow.
Wednesday, January 30, 2008
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